Short drama, 2008

James

Writer, director, producer: Connor Clements

Watch the film

The complete film. It plays from YouTube only when you press play.Watch on YouTube

The film

  • 18 minutes
  • United Kingdom (Northern Ireland)
  • HDV, 16:9, colour

Raised in a house of secrets, James decides to tell one of his own.

James has grown up in a family that buries its secrets. Lonely and withdrawn, he is drawn to one of his teachers, the one person he believes might understand him, and begins to wonder what would happen if he told someone the truth about himself.

Written in 2006–07 and shot in July 2007. World premiere at the Belfast Film Festival, 1 April 2008.

Festivals and awards

  • 2009Sundance Film Festival, Official Selection
  • 2009Sundance 10/10, One of ten festival shorts free to download on iTunes during the festival
  • 2008Cannes Film Festival, Short Film Corner
  • 2008Belfast Film Festival, Skillset Award, Best Northern Irish Film
  • 2008Iris Prize Festival, Cardiff, Skillset Best UK Short
  • 2008Palm Springs International ShortFest, Jury Award, Best Student Short (live action, over 15 minutes)
All 23 awards
  • 2008St. Louis International Film Festival, Best International Short
  • 2008Palm Springs International ShortFest, Best Student Cinematography, second place
  • 2008Galway Film Fleadh, Best First Irish Short, second place
  • 2008GAZE Dublin International Lesbian & Gay Film Festival, Best Short
  • 2008Cork Film Festival, Outlook Award, Best LGBT Short Film
  • 2008Fort Lauderdale International Film Festival, Award of Merit
  • 2009Mexico International Film Festival, Bronze Palm
  • 2009NYC Downtown Short Film Festival, Best Foreign Film
  • 2009Honolulu International Film Festival, Gold Kahuna Award
  • 2009Honolulu Rainbow Film Festival, Best Short Film
  • 2009Breckenridge Film Festival, Best GLBT Short
  • 2009Breckenridge Film Festival, Audience Award
  • 2009UK National Student Film Festival, Best Drama
  • 2009UK National Student Film Festival, Grand Jury Award
  • 2009Fort Worth International Gay & Lesbian Film Festival, Best Short (Male)
  • 2009Cineslam, Vermont, Chessie Award, Best Short Film
  • 2009Barcelona International Gay & Lesbian Film Festival, Best Short
  • 2009Image+Nation, Montreal, Jury Prize, Best Short
  • 2009Grand OFF, Warsaw, Scriptwriting award
  • 2010Coming of Age Movie Awards, Best Short
Connor Clements speaks at a microphone on stage, holding the award in his left hand, a festival lanyard round his neck.
Collecting the Skillset Best UK Short award for James at the Iris Prize Festival, Cardiff, 2008.

Sundance 2009

James, Shorts Program IV

Five men stand side by side in front of a red Sundance Film Festival 2009 backdrop, festival passes on lanyards round their necks. Left to right, Joseph Gordon-Levitt, Rashaad Ernesto Green, Destin Daniel Cretton, Rob Connolly and Connor Clements.
Sundance Film Festival, January 2009. Left to right, Joseph Gordon-Levitt, Rashaad Ernesto Green, Destin Daniel Cretton, Rob Connolly and Connor Clements.

In January 2009 James was an Official Selection at the Sundance Film Festival in Park City, Utah. It screened in Shorts Program IV, one of eight films in a programme that included Next Floor by Denis Villeneuve, Short Term 12 by Destin Daniel Cretton and Sparks by Joseph Gordon-Levitt.

  • The Attack of the Robots from Nebula-5Directed by Chema García Ibarra
  • ChoicesDirected by Rashaad Ernesto Green
  • JamesDirected by Connor Clements
  • Next FloorDirected by Denis Villeneuve
  • Our Neck of the WoodsDirected by Rob Connolly
  • Short Term 12Directed by Destin Daniel Cretton
  • SparksDirected by Joseph Gordon-Levitt

Screenings and the programme in the archiveThe 2009 Sundance Film Festival catalogue, page 66 (Scribd)

Director’s statement

I don’t feel that James is so much a coming-out story; instead I feel it examines the secrets people have. Every character has deep internal conflict. James recognises through his parents that excessive secrecy is a source of conflict, and is the only character willing to share his secret. His newfound openness also drives him to confront his desires, in spite of potentially dangerous consequences.

I intend for the film to be naturalistic in its look, in that it will represent a world we are familiar with, and formal in its style, with the story defining the type of shots used.

From the director’s statement written before the shoot, June 2007

From page to screen

Four scenes as they were written in June 2007, as they were storyboarded before the shoot, and as they appear in the finished film.

Scene 1

1INT. BEDROOM, EARLY MORNING

James is asleep in his bed at the room at the top of the house. Suddenly the door handle is pushed up and down, but the door is locked. A woman’s voice is heard.

Screenplay, 8 June 2007
See the typed pageScan of the typed screenplay: scene 1, INT. BEDROOM, EARLY MORNING.
Pencil storyboard, shot 1.1: Close-up. James sleeping, gets woken by…
Storyboard 1.1. Close-up. James sleeping, gets woken by…
James asleep under a blue duvet.
The film

Scene 12

12INT. CAR

James is sitting quietly whilst his mother is driving. She is angry with him. He is agitated.

Screenplay, 8 June 2007
See the typed pageScan of the typed screenplay: scene 12, INT. CAR.
Pencil storyboard, shot 12.1: Two shot. James and his mother in the car.
Storyboard 12.1. Two shot. James and his mother in the car.
James’s mother driving, seen from behind past the rear-view mirror.
The film

Scene 15

15INT. BEDROOM, LATE NIGHT

He suddenly wakes up when he hears raised voices coming from downstairs. He slowly opens his door and sits out of sight at the top of the stairs. He can’t make out exactly what is being said but sometimes overhears occasional words.

Screenplay, 8 June 2007
See the typed pageScan of the typed screenplay: scene 15, INT. BEDROOM, LATE NIGHT.
Pencil storyboard, shot 15.2: Medium close-up. James listens from the top of the stairs.
Storyboard 15.2. Medium close-up. James listens from the top of the stairs.
Seen from above, James creeps down a dark staircase.
The film

Scene 18

18EXT. PLAYING FIELDS

He walks to the top of the playing fields. There is no-one around. He sits down on the grass and looks down at the school. He closes his eyes for a moment, sighs and gets up. He then walks slowly down the hill again.

Screenplay, 8 June 2007
See the typed pageScan of the typed screenplay: scene 18, EXT. PLAYING FIELDS.
Pencil storyboard, shot 18.1: Wide. James on the playing fields, overlooking the town.
Storyboard 18.1. Wide. James on the playing fields, overlooking the town.
James sits on the grass beside a birch tree.
The film

More storyboards, the schedule and the Sundance postcard in the archive

Reviews

“The most emotionally powerful film of this year’s lineup.”

Jason Sondhi, Short of the Week, 24 January 2009

“Handled the extremely sensitive and emotive subject with care, skill and style.”

Belfast Film Festival jury, Skillset Award citation, April 2008

“A highly cinematic slow burning character film.”

Daily Film Dose

Stills

James’s family home at dusk, one window lit.
The school buildings under a heavy sky.
James’s mother drives him home, seen from the back seat past the rear-view mirror.
James’s parents in the kitchen, his mother at the sink, his father at the table.
James reads in bed by the light of a bedside lamp.
Close on James, listening in the dark.
James sits alone on the grass of the playing fields, beside a birch tree.
James’s teacher at his desk, looking down.
Close-up of James, eyes lowered, near tears.

Credits

Cast

James
Niall Wright
The teacher
Matthew Jennings
Mother
Margaret Goodman
Father
Gerry Doherty
The man
Louis Rolston

Crew

Written and directed by
Connor Clements
Produced by
Connor Clements
Director of photography
Declan Keeney
Editor
Kevin McDonald
Music
Kasia Middleton
Location sound
Will McConnell
Camera assistant
Martin Bolton
First assistant director
Paul Best
Post-production sound
David Briggs, Stone Circle Studios
“A Bunch of Thyme” performed by
Banbridge Academy Girls Choir

Stills, biography and credits for press

Next

The Part We Played

Feature drama, in development

Northern Ireland, the early 2000s. A young film student who has yet to make a film of his own falls for an older concert pianist, and for a world of music, grand hotels and Italian lakes he has only ever seen on screen.

About the project